"Hi John,
Lloyd was a wonderful player. No personal info here; have to rely on secondary sources :
* 1953 Lewistown rally pic : plain, vega-ish banjo; could be a 1920's WL2.
* 1970's 5 Stringer Rally pics ;…"
Classic-Banjo
A Site Dedicated to all enthusiasts of Classic Style Banjo
-
Shawn McSweeny
- Male
- Toronto, ON
- Canada
- Blog Posts
- Discussions (264)
- Events
- Photos (35)
- Photo Albums (5)
- Videos (3)
Shawn McSweeny's Discussions
"Happy-Go-Lucky" Transcription
3 Replies
Finding the correct composer was a process, as this is an obscure piece with a popular title.This is not the Grimshaw banjo solo of the same name. Nor is it the HGL galop by Miers, or either of the…Continue
Started this discussion. Last reply by thereallyniceman May 27, 2021.
Dance of the Pirates
4 Replies
Shiver me timbers, mateys, and shake yer booties !!Here's my transcription of "Dance of the Pirates", as played by Vess L. Ossman in the late 1890's, on the National Phonograph Co. (Edison)…Continue
Started this discussion. Last reply by Shawn McSweeny May 25, 2021.
Ossman's Arrangement of "Arabia March"
2 Replies
When our third wave and third lock-down arrived, I'd already passed a year making several wood carvings and a banjo. Looking for a change, in the past month or so, I've transcribed several Ossman…Continue
Started this discussion. Last reply by Shawn McSweeny May 21, 2021.
Stephen B. Clements
27 Replies
Just finished another research project that made the last week or so of lock-down go by faster. Thought I'd share with my fellow CB enthusiasts : Stephen B. ClementsClassic Banjoist and Recording…Continue
Started this discussion. Last reply by Shawn McSweeny Jan 19.
Shawn McSweeny's Page
Latest Activity
"Here's more Whitney whimsy :
"The Donkey Laugh" published by M. Witmark & Sons in 1901.
Ossman recorded "The Donkey's Laugh" for Victor in 1902 and "Donkey Laugh" for Zonophone around the same…"
"To Mr. W. Johnson
With all kind
rememberances
Yours Edith Fielden"
Carnival, by Tarrant Bailey, Jr. - Ragtime Banjo Revival - Live in Detroit
"Wow ! That was awesome ! - And the church's natural reverb suited the piece."
"Claire : It was very nice of you to write. When posting a research project like this, one never knows how far it will travel or whose eyes will settle on it. That Stephen B.'s progeny should both find and appreciate it is truly remarkable !
Is…"
"I want to thank you, Shawn McSweeny, for researching/posting this piece about my great, great grandfather, Stephen B. Clements. I came across your post while resesrching my family's geneology. My mother's maiden name was Clements, and…"
"Steve : For many years, the ABF has had members from the UK and Canada, as well as the US. Perhaps consider joining. http://banjofraternity.org/
Or contact the executive secretary, Joel hooks."
"Thanks for correcting that Jody. "
"Hi Ian ;
Track 1 is titled "Curiosa" written by Harry Von Tilzer but was recorded and popularized among banjoists by Ossman as "Keep Off the Grass".
Track 2 is "Koontown Koffee Klatsch" written by J.P. Greeberg,…"
"Thanks for posting Ian. I enjoyed listening, as two often-ridiculed instruments did a fine job together and sounded great.
Unfortunately many people might say, "Banjo and accordion . . . really ? What happened to the…"
"Greetings from Toronto. Yes, very crisp and clearly not Sullivan's Toronto Jig.
I have found Zonophone mislabeled their recordings from time to time. Check the site's other two Oakley recordings, of TJ. Both properly match…"
"The photo of Ossman about 44 seconds in has been circulating on the internet for some time; it originates from c. 1900 recording company promotional material. Is there another photo besides this?"
" A day stacking and burning off a pile of downed tree branches or an afternoon reducing a block of wood with a 3/4 in. gouge puts me in much the same place as Ian and Joel. Arm muscles inflame and go taut. Nerves balk and joints hurt. Rest is…"
"Yes, tedious! That is the way I approach transcriptions. Listen over and over and over to attempt to hear all the individual notes in a chord and then work out where they are being played on the fingerboard... then repeat for next…"
"My approach is to first digitally improve the original recording as much as possible; the clearer the notes, the better. If needed, pitch is tweaked to match contemporary pitch. A copy is saved at about half tempo. That is my working…"
"Another solo that I have never heard before! I know of George Formby's "Happy Go Lucky Me"..but that is completely different :-)
Thanks again Shawn. How do you do the transpositions? Do you use slow down software and find the…"
Profile Information
Shawn McSweeny's Photos
Shawn McSweeny's Videos
Comment Wall (2 comments)
- At 2:50pm on February 19, 2014, thereallyniceman gave Shawn McSweeny a gift…
- I would like to send Shawn all my thanks for the "LOAD" of work he has done and information and photos he has provided for the recent site upgrade. So everyone, let's give a BIG THANK YOU to Shawn!
- At 4:39 on January 21, 2016,
Peter LaBau said…
Hi Shawn- sorry to be slow to respond, I only check in here once in a while, all the while knowing I need to do it more frequently! Thanks so much for your note, and it's so nice to know that something I did affected you in a such a positive way. In answer to your question- yes, I have the banjo Doug did for me all those years ago- in fact, he did the banjo twice for me. Th original inlay patterns he did on the fingerboard had to be thrown away- the fret scale was off, and it never played in tune. As beautiful as it was, I had to replace the fingerboard, and in so doing I went from a flat board to a radiused one, which is what I have on all my instruments now. The flat inlays couldn't be moved over, so for the longest time, I had just the pear bars that descended from the nut, and the rest of the board was just blank. Two years ago, I sent the banjo neck back to Doug to have him add bars up at the top of the board, and add in some position markers in between. Here's what it looks like now:
The pot is a 1910's Tubaphone- 11-1/2" diameter, and the neck is a 28" scale. I have another pot like this that I'm having Kevin Enoch make a new neck for- I'll use that one for raised "D" bass- I use two banjos when I perform- I find that retuning just one instrument never works out real well- the bass string keeps changing after changing pitches. You're Canandian, right? Toronto? It would be fun to meet up one day- I'll hope that might happen. All the best to you- Peter
© 2023 Created by thereallyniceman.
Powered by
