Jody Stecher
  • 78, Male
  • San Francisco, CA
  • United States
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Jody Stecher's Discussions

Bradbury warning. Buyer Beware

Started 7 hours ago

Grimshaw Notation Anomaly
4 Replies

Started this discussion. Last reply by Trapdoor2 21 hours ago.

Conversation moved from Comment Wall
4 Replies

Started this discussion. Last reply by IAN SALTER Jan 23.

 

Jody Stecher's Page

Latest Activity

Jody Stecher replied to Austin 's discussion The perfect method part 2
" I wouldn't attempt Spanish Fandango without raising the 4th string. Playing D at fret 2 of the bass string at the same time as B at fret 9 of the 1st string is a stretch that exceeds the most ambitious of Cammeyer's demands on the…"
3 hours ago
Jody Stecher replied to Austin 's discussion The perfect method part 2
"Yes, I think so."
3 hours ago
Jody Stecher replied to Austin 's discussion The perfect method part 2
"That is so.  What does that have to do with the content of my post?   I did not say that insipid sound comes from an un-raised bass string. I said that this will happen with no bass string at all.  I ascribed a particular resonance to…"
4 hours ago
Jody Stecher replied to Austin 's discussion The perfect method part 2
"They always played a five string banjo. Always with a bass string. Take off your 4th string and play something. See if it sounds any good. This is physics, not my personal crazy idea.  Same thing applies with a guitar. Play anything on the…"
5 hours ago
Jody Stecher replied to Austin 's discussion The perfect method part 2
"About elevated bass: When the 4th string goes up to D it generates different overtones than it did when tuned to C. These overtones, also called "upper partials", color the sound of the notes played on the higher strings. This happens when…"
7 hours ago
Jody Stecher posted discussions
7 hours ago
Trapdoor2 replied to Jody Stecher's discussion Grimshaw Notation Anomaly
"Old eyeballs and fuzzy print = weirdness. I just got thru the MS of Morely's "Aviators Parade" and I had to wear my suoer-magnifier headset just to get it keyed in...and then I listened to the playback to find errors 'cause I…"
21 hours ago
Jody Stecher replied to Jody Stecher's discussion Grimshaw Notation Anomaly
"Mystery solved. When I looked at the page in my book using a Agfa Lupe magnifier the single sharp sign (intended for d) dispersed into two sharp signs, one above the other. But I have now scanned and enlarged the page and seen that way there is only…"
yesterday
Jody Stecher replied to Jody Stecher's discussion Grimshaw Notation Anomaly
"I think that you are pointing in the right direction:  C natural and D sharp must be  what was intended. But that is not what was printed in either version. In the 'vamp' version C looks to me like  the sharpened note. I…"
yesterday
Joel Hooks replied to Jody Stecher's discussion Grimshaw Notation Anomaly
"Exercise 7? C and D# together would be a barre at the first fret.  I don't see where you are getting the C#?"
yesterday
Jody Stecher replied to Austin 's discussion The perfect method part 2
"On the Fun Factor or its absence in practicing scales:  In my 20s I didn't like practicing scales. I thought of it as odious drudgery. And then I met raga musicians and singers from India. They would treat scales, including our garden…"
yesterday
Jody Stecher replied to Austin 's discussion The perfect method part 2
"Excellent.  It's also may  be more useful than an exercise because the player (of my generation anyway) will be familiar with the melody and will automatically know when the execution is correct."
Sunday
Jody Stecher replied to Austin 's discussion The perfect method part 2
"1) The way to use the book is to go to the next topic  *after* successfully completing the work of earlier pages. If you can't play page 35 you don't go to page 36 let alone page 59. 2)  If you want to write a book I suggest you…"
Sunday
Jody Stecher replied to Austin 's discussion Plectrum
""Plectrumising" : an excellent word.  Even better than "banjolity"."
Apr 8
Jody Stecher replied to Joel Hooks's discussion Elias Kaufman 1939-2025
"When I first got interested in classic banjo music Eli answered my questions in complete detail, first in hand written letters and  later in email messages.  He would include anything tangential to my questions and things tangential to the…"
Apr 7
Jody Stecher replied to Joel Hooks's discussion The Frank C. Bradbury Methods
"  The thumb tremolo under discussion is a means of achieving sostenuto (sustain)  on the bass string while the digits play chords on higher strings. This effect is nowhere to be found on that recording."
Apr 5

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Jody Stecher's Blog

Banjo Benches at San Francisco Airport!

 I was taking a flight out a new terminal at San Francisco the other day and was surprised and amused to see the shape of some comfortable new benches with a new shape.  Off topic because they look like plectrum banjos? No indeed, these are Zither Banjo Benches!  I'm afraid my mobile phone takes horrible quality pictures but at least the shape was captured. The wave of the future?

 …

Continue

Posted on November 17, 2011 at 4:06 — 5 Comments

Dave, here's the heel

Posted on November 28, 2010 at 22:33

clear photos of the missing banjo

Note the copper bass string, the red binding around the pot and the inlay "The Cammeyer Vibrante Royal" These are distinctive.

Posted on November 28, 2010 at 22:16

Comment Wall (21 comments)

At 4:06 on April 7, 2009, Trapdoor2 said…
Jody, regarding the banjo I'm playing in my videos: that's one of Bob Flesher's "Cotillion" (12") models; my main axe for about 6 yrs. Thanks for the kind remarks, I've gone from archtop Stelling "shrill" to "tubby" over the years (in more ways than one!). I have a fiberskyn head on it, Aquila Nylgut strings and one of those Cole 5-footed bridges. I have a small collection of banjos but the Flesher gets all the playing time these days.
At 5:54pm on March 14, 2010, Joel Hooks gave Jody Stecher a gift
At 8:11 on August 19, 2010, Liz McElwain said…
Thanks, Jody. Hope to be able to meet you over the Didmarton weekend.
At 17:08 on September 11, 2010, Anthony Peabody said…
I enjoyed meeting you at Backwell, and I am afraid that I assumed that you were a newcomer to Banjo, so please erase from your hard drive any superfluous and quite unnecessary advice. You don't need any encouragement either. I was the bass banjo at the end of the line, filling in the blanks, and wishing I could play better. So you see, you encorage me!
Anthony Peabody
At 17:48 on December 22, 2010, Eric STEFANELLI said…

Thanks Jody, to add me as a friend, i am deeply  honored !

I would be to give you some piece of information about my banjos making, give me please your e-mail, mine is : eric.pat-luths@orange.fr .

About your music,  many people in France like bluegrass & old timey  music, and play it, there is many bands, many american banjo players come to France every  years to teach, and have many pupils, there is summer country festivals...i was myself a pupil of Tony Trishka in 1978 and and Ben Eldrige in 1982/83, but we can speak about it  by  mail. Classic banjo is  unknow or very few people know  this kind of banjo music.

Eric

At 14:09 on August 3, 2011, Pam Tointon said…

Thank you Jody I enjoyed that. Nice to hear an original composition, but well beyond me yet as a beginner I'm afraid.

 

regards Pam

At 12:51 on October 18, 2011, Neil Angus Goodwin said…
Thankyou for the info, that might explain why it is the only Cammeyer I have seen with the metal bands.
At 23:51 on March 5, 2012, allan ideson said…

thanks jody for your input.ime a guitarist .i have good instruments ...this banjo .has a lot of volume .also the neck and fingerboard are a work of art .after all these years the neck is straight .....no truss rod.when i master the beast ill put some tunes on ....thanks...allan

At 21:34 on March 8, 2012, skip sail said…

hi Jody,met you on your australian tour,we talked Fred Macdowell and Robert Petway and jammed a bit on some fingerpicked blues at Camperdown. Thanks for the welcome to the forum! Skip

At 7:32am on May 14, 2012, thereallyniceman gave Jody Stecher a gift

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