"Gotcha!"

"Isn't this written for A tuning though? I can't tell if it's meant to be transposed."

"Edit: third technically not fourth"

"Actually I devised a method for this sort of reverse roll. You just use the fourth finger to alternate pick the first string and then roll back with the third second and first finger on the second third and fourth string"

"The standard roll is a thumb glide on the 4th and 3rd strings with the index picking the 2nd and the middle picking the 1st."

"That's what it usually is. See if there's a loose screw. If there is, tighten it. If you tighten it too much and the peg won't turn, loosen it just a bit.  Usually it's the screw that goes through the button. But I…"

"You think it's just the outside screws?"

"Look for a slot in which to place the blade of a screwdriver. Inset blade in slot. Turn clockwise."

"I have a late 1880's flush fret L&H called "The London" which I read somewhere was most likely produced for export. Which I guess is how it came to be in the UK!Rather like Trapdoor's its fine but nothing to write home about."

"L&H are still building harps in Chicago. I think their banjos were made by jobbers like Tonk Bro., etc. There were a number of jobbers in the Chicago area throughout the 1880-1920 period. Lots of mandolin makers too. Schall may have made their…"

"Lyon & Healy was a huge Chicago music store. They did have a workshop where some banjos (and other string instruments were made) but the L&H name also was put on  banjos (etc) that were made by several different makers.  The…"

"If you want to go that route, you should first just try the strings out and see if they fit. As Joel said though, you're putting nylons on a modern banjo made for steel so there may be some challenges. I put some Aquila Nyguts on a Goodtime…"

"Yeah, I've done bridge slots with an Xacto tool, a saw actually. If I mess up a factory bridge it's no big deal.  Re CE ebony nuts: some were done with axes, some with dogs, some with rats, some with beavers."

"I'll try it on my Banjola"