"1.) The D grace note is a giant quick leap. Admittedly it's spectacularly difficult to pull off at tempo, but my hands have adjusted to worse so I figured others could as well. It is necessary for the voice leading otherwise the lower voice…"

"Most of this looks okay, with the exception of: 1. How do you propose that low D grace note in m.2 be played, given that the LH is up at the 12th fret? 2. Measures 28-29 and 33-34, doubled notes would typically be interpreted as playing the same…"

"I'm the mind behind the BanjoLisztProject Channel on Youtube"

"I'm just Joking this is well done"

"THALBURG!!!!"

"Hi Austin, I was talking to Aaron J Lewis at a banjo gathering a couple of years ago, I was delighted to find that we shared the banjo  technique of just holding the instrument  and playing the open strings in no particular order, speed,…"

"There is only one person that needs to realise that. "

"Perhaps I should remind people that this website was created for those who wish to play, and listen to, the CLASSIC STYLE of banjo playing. Ian"

"OK then."

"Indeed. It's an exploration of the timbral properties of the banjo. It's a study of texture rather than Melody. My approach Is attempting to shape that chaos into something. It proves what's possible and I will not stop until I have…"

"https://m.youtube.com/shorts/z0IVIOlnRU8"

""Replacing "antiphony" with "call and response" is not doing anything to raise awareness of "hidden" (again, not really; lots of work has been done on this, you just aren't aware of it) black influence on…"

"It has no use in the cultures where the people of Appalachia came from in majority. Irish tradition, Scottish tradition, and English tradition. Or if we were to get really specific the Ulster-Scots.  Call and Response is what the culture calls…"

"A non-eurocentric point of view that's what we stand to gain from making the distinction "