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And what a great bit of cover art! You often see this one in compilations of Sheet Music art.
I just finished Tabbing out a fun little 6/8 march called, "Josselyn's 6-8 March". Not difficult and mostly 7th fret and lower (one 17th fret harmonic). See attached for MIDI (which includes a guitar part). I'll post the dots (original is in A notation) and TAB, etc., soon.
What a Great March !!
I bet that sounds great on banjo. The midi Dalek voice lets it down as a bit, but does not stop it being a superb piece. Will you have a C version available?
Thank you.
Hi Marc, what a great march, I think the banjo was designed especially for playing 6/8 marches, I can't think of any that didn't come up to the mark....Steve.
Trapdoor2 said:
And what a great bit of cover art! You often see this one in compilations of Sheet Music art.
I just finished Tabbing out a fun little 6/8 march called, "Josselyn's 6-8 March". Not difficult and mostly 7th fret and lower (one 17th fret harmonic). See attached for MIDI (which includes a guitar part). I'll post the dots (original is in A notation) and TAB, etc., soon.
JOSSELYN’S 6-8 MARCH
Yes, already have it transposed to C notation for posting here. I suppose I could find a better MIDI voice somewhere...but this is what comes with TablEdit.
For some reason I've been finding a lot of banjo SM by J.H. Jennings lately. He was a Providence, Rhode Island banjo teacher and published quite a few pieces in the 1880s-19teens. Almost all of his stuff is on the "less difficult" end of the spectrum and rarely reaches beyond the 7-9 fret positions.
Steve, I agree that the 6/8 stuff seems to just pop out of the banjo. I like your arrangement of "Western Life"!
Thanks Marc, I've been playing through both arrangements today and the G version is by far the easiest to get the fingers around...Steve.
Trapdoor2 said:
Yes, already have it transposed to C notation for posting here. I suppose I could find a better MIDI voice somewhere...but this is what comes with TablEdit.
For some reason I've been finding a lot of banjo SM by J.H. Jennings lately. He was a Providence, Rhode Island banjo teacher and published quite a few pieces in the 1880s-19teens. Almost all of his stuff is on the "less difficult" end of the spectrum and rarely reaches beyond the 7-9 fret positions.
Steve, I agree that the 6/8 stuff seems to just pop out of the banjo. I like your arrangement of "Western Life"!
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