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After the Banjo Collector's Gathering, I decided that the binder in which I keep all my music was getting over large and overweight. There were lots of tunes in there that I never or rarely pick thru and some new stuff that I wanted to add...but had no room to do so.
The ones that didn't make the cut are going into a seperate binder. I think I'll put all my 2nd banjo, banjeaurine & cello-banjo parts in yet another binder.
So...new year, start with a clean slate, etc. I've whittled it down to 35 tunes (all in TAB, of course):
In standard "C" tuning, gCGBD:
The Hailstorm Jig, Morely
A Banjo Oddity, Morley
Berkeley March, Brooks & Denton
Cannon Jig, Morley
Circus Parade, Morley (hmmm...this must be a trend)
Corn Cob Parade, Morley
Colorado Buck Dance, A.H.Nassau-Kennedy
Cupid's Victory, Weidt
Dimples, Morley
Donkey Laugh, Morely
Fun On The Wabash, Hunter
Galop De Concert, A.H.Nassau-Kennedy
Glitter Of Steel, Dorward
Honolulu Cake Walk, Lerman
Kaloola, Weidt (another trend, I fear)
Lancashire Clogs, Grimshaw
Pensacola, Hunter
Rag Pickings, Lansing
The Raiders, Weidt
Rose Leaves Gavotte, Morley
Royal Tourist, Percy Jacques
Skeleton Dance, Greenop
Sunflower Dance, Rowland
Whistling Rufus, Mills
Woodland Echoes, Armstrong
In "raised bass" tuning, gDGBD
Dashwood Quickstep, Oakley
Dat Yam Rag, Weidt
Drowsy Dempsey, Lansing
A Footlight Favorite, Grimshaw
Gypsy Love, Sheaff
Lillies Of The Valley, Weidt
Onion Rag, Weidt
Pink Lemonade, Weidt
The Red Rover March, Weidt
Somewhere In Dixie, Lansing
Failed to make the cut:
At A Colored Tea Party, Eno
Banjoland, Morely
Banjoliers, Grimshaw
Carry On, Kirby
A Darkey's Romance, Grimshaw
Darktown Dandies, Morely
Desert Trail, Morley
The Dusky Minstrel, Burns
Eli Green's Cakewalk, Koninsky/Morley
Favourite Waltz, Morley
Fernbank Quickstep, Oakley
Festival, Morley
Four Little Blackberries, O'Connor
In The Moonlight, Morley
Indian Patrol, Grimshaw
A Joy Ride, Morley
Kalamazoo Kapers, Armstrong
Kansas Jig, Ellis
Kingdom Comin', Morley
Kissing Cup Waltz, George
The Ladbroke March, Skinner
Limited Mail Galop, Frey
Louisiana Hoe Down, Armstrong
Man The Guns, Papworth
Mazurka, Morley
Mister Jollyboy, Grimshaw
Nuts And Wine, Morley
Ossmania, Ashton
A Plantation Episode, Grimshaw
Plantation Symphony, Eno
Popinjay Polka, Morley
Royal Rag, Armstrong
Rugby Parade, Oakley
Smokey Mokes, Holtzman
That Banjo Rag, Weidt
The Whistler and his Dog, Pryor/Morley
Yankee Boys, Weidt
Yankee Dandy, Weidt
Yankee Land, Hoffman/Ossman
Tags:
Just add a line to the staff at the bottom, delete the top line...and drop a couple sharps.
Or, you can wait for me to do my TAB thing (probably this weekend) and I'll print out a C notation copy (only takes a couple of button clicks once I've keyed it all in).
What I do is read the A notation ( or G in the case of Briggs) without banjo in hand. I sound the melody mentally and get an idea of how the piece goes. Then I imagine playing this in C tuning, in the key of C (no matter what pitch the banjo is actually is tuned to). Then I take up the banjo and slowly play through the piece. Every now and then (about every 30 seconds) I get confused and, for instance, interpret a B note as being the open second string but that is quickly corrected. A concise summary of this "method" is that I don't consider staff notation to be a map of fingering, but a map of melody. The fingering parts of the map (such as flags on the open fifth string and circles around numbers to indicate strings) are of great help.
I said "drop a couple sharps"...should have been "drop three sharps", which means the A & B parts come out in Cmaj (no sharps) and the Trio is in Fmaj (one flat).
I did the TAB for the 1st banjo part this evening. I'll do the 2nd bjo part sometime this weekend, clean it all up and send it to Ian.
===Marc
Trapdoor2 said:
Just add a line to the staff at the bottom, delete the top line...and drop a couple sharps.
Or, you can wait for me to do my TAB thing (probably this weekend) and I'll print out a C notation copy (only takes a couple of button clicks once I've keyed it all in).
Marc has kindly sent his TABLATURE in C tuning for, first and second banjos, of Lansing's arr. Washington Post.
Thank you for all the effort in producing the TAB. All these take time and I am sure that they are appreciated by all.
I have added the scores to the MUSIC LIBRARY.
Thanks Marc!!
Just to be pedantic, the TAB is independent of tuning (as long as the scheme is the same) but I included a set of dots in C notation...just to keep ya'll from having to use your dwindling supply of tippex or white-out. :-)
This is a fun arrangement and not too hard. I've added it to my "folder" and maybe next time I see Joel, we'll play the duet arrangement.
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