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The peg head suggests something other than a banjo, perhaps copied from art rather than from life. The bigger mystery for me is short person without the banjo. One arm is fat and the other fatter yet, long feet, a wide waist, and seems to be holding up left hand of the instrumentalist who likewise has one arm that is fatter than the other. What is happening here? Is this symbolic of something or is it a poor attempt at representing something realistically?
Early photo-realism, Jody. These were the two famous Circus freaks, Li and Le were joined at the wrist. Their performance was a combination of weight lifting (with their joined and very muscular arms) and Bonsai tree pruning (by the 1820's, Bonsai had not met miniaturization) accompanied by the banjo.
Seriously, this is a cool bit of chinoiserie. The Brits had established trade with the Chinese and Japanese very early on and this may be a depiction of either a Sanshin or a Samisen player.
Do you know, for a minute or two I actually believed you! I mean if the Czar of Russia picked the Five, anything is possible.
Ah Richard,
I am a bit of an expert and have an eye for early pottery. Obviously this is a fake as it was made long before Sweeney invented the banjo.
Have a close look at the picture and you can see that it is a modern Chinese reproduction and, of course,
...worth very little, so I will give you £5 for it.
Wasn't he the brother of Hoo flung dung?
No, Won Hung Lo's brother was Ko Dak the inventor of photography, he lived in the Outer Fokus mountain region and had no interest in pottery or banjos. The maker of this plate was called Wej Wud.
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