Ethan Schwartz's Discussions (65)

Discussions Replied To (50) Replies Latest Activity

"I would also add that the broader aesthetics of today's music (whether classical or…"

Ethan Schwartz replied Mar 5 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"I was just going to say, Sam, this is getting into that same steel-string plectrum v…"

Ethan Schwartz replied Mar 5 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"It's also not a fair comparison because all of these guys are excellent improvisers.…"

Ethan Schwartz replied Mar 5 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"I mean, I'd be pretty happy to have Pikelny's level of technical skill.  https://yo…"

Ethan Schwartz replied Mar 5 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

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Ethan Schwartz replied Mar 5 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"I don't know about in the past, but the people active today who I would consider "ba…"

Ethan Schwartz replied Mar 5 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"Richard, I already answered that I would estimate there to be a few dozen people in…"

Ethan Schwartz replied Mar 4 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"Let's not go down the subjective "what is more genuine/authentic" rabbit hole. The d…"

Ethan Schwartz replied Mar 4 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"What I mean is that playing technique cannot be separated from musical context. Same…"

Ethan Schwartz replied Mar 4 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

"Personally, I'm more interested in whether something predates the Civil War or not,…"

Ethan Schwartz replied Mar 3 to How many people actually play this style?

140 Mar 15
Reply by Richard William Ineson

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