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Zarana
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Most excellent, Greg! Well done!!
I met Curly and Carol Ann this year at Nashville's "Breaking Up Winter". Nice folks indeed.
Another cracking video from Greg Adams. I like the tempo too! Bill Ball's Zarana recording always seems like a race to me and a slightly slower pace brings out the subtleties of the piece to me.
5*****
Well played , Greg ; very good
On the live WJB recording ( the one with the wrong violin ' note at 2 mn ) , i really wonder what is hapening ? if the orchestra play at the old ' bout 434 Hz pitch or the modern 440 ' one ; this Zarana ' version seems to be in Db m high pitch.....
Really excellent! Well played and a great tune!Thanks
Reallly nice played Greg!. Glad to watch you in a new video.
Hi Greg! Really liked you version of Zarana. I do have a question about the two "e" in the first measure. It sounds like you tie the two together. That is, coming off of the triplet it sounds like one "e" . Not sure, is this a convention in classic banjo. In classical guitar unless tied I'd play them as separate tones. Thanks for any help you can give me.
sorry those should have been "d"s . I was thinking of something else.
I think it is just the speed of Greg’s triplet notes that is confusing the ears.
To make it easier, I would count the bars as 4 beats (even though it is written as 2/4)
Thus Bar 1 would count: 1 “twid-de-ley” 3 4
Here is Greg slowed down a bit:
… and I can definitely hear his: 1 twid-de-ley and his 3 4s !
Sorry for the delay in responding. Thank you so much for you insights and well constructed reply. I hope I didn't come off as judgmental, just wondered why I wasn't hearing the two distinct notes. I'm just not playing up to speed and it appears more pronounced when I play. Thanks again.
Thank you everyone for the favorable feedback on this tune. Warren, you do not come off as being judgmental. Listening to the opening notes, your comments make sense as it does sound a bit compressed together.
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