Joel Hooks's Discussions (1,651)

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"I have not, nor do I, consider bass elevated "cheating".  It is perfectly legitimate…"

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"I play SP without raising the 4th.  Instead of the open D, I play octaves of the mel…"

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"I see... I guess I could have understood better if there was a separation between th…"

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"hmm, I'm confused then Jody.  I wrote "Drilling down on exercises based around octav…"

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"And they both did not raise the bass."

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"I suppose Van Eps and Vess Ossman sound insipid then."

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"I call much of this stuff "short pieces" for lack of a better term.  Usually, two pa…"

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"Check this one out Russ: https://archive.org/details/orchestral-banjoist-for-tenor-s…"

Joel Hooks replied Apr 15 to Witmark Progressive Method For The Banjo, George Lansing

 2 Apr 15
Reply by Joel Hooks

"What could I recommend?  You wrote "I practice my scale work there just aren't any g…"

Joel Hooks replied Apr 15 to The perfect method part 2

 41 Apr 16
Reply by Joel Hooks

"Exercise 7? C and D# together would be a barre at the first fret.  I don't see where…"

Joel Hooks replied Apr 14 to Grimshaw Notation Anomaly

 4 Apr 15
Reply by Trapdoor2

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