Carry On Intro riff

Here's that cool little riff from the piano part of Carry On, arranged so you can play it on the banjo before the piece.

  • Trapdoor2

    Got it. "Carry On" has been on my "to TAB" list for too long...

    Thanks!

  • Mike Moss

    Good idea Marc, "Carry On" is a great solo which really deserves to be accessible to the wider banjo public.

    BTW, here's my piano accompaniment, if anyone wants it: http://www.mediafire.com/?w3q4gve22ofwok7

  • thereallyniceman

    Thanks Mike, it is a good idea producing the intro for banjo.  Often banjo solos have piano introductions, but we poor “home alone” banjo players don’t have a pianist and have to start playing part way in!

    Here’s a tip about your notation score. When I produce scores with two voices I make note “sticks up” for Voice1 and “sticks down” for Voice2.  This makes it easier to count the bar. Your first two bars of the Intro look like they have 6 beats as all the sticks are pointing Down.  JMHO

    I like Alfred Kirby compositions and am working on Joy Dance myself at the moment, which is a fun lively piece.

     

    You can hear Mike playing Kirby’s “Carry On” in the JUKEBOX or watch him in VIDEOS... and very good it is too!

  • Mike Moss

    Thanks Ian, my notation software is a bit awkward but I'll try to find a way to make it change the stems according to the voices (what it usually does is change the colour, making voice 1 black and voice 2 red)

    Joy Dance is a good one, I'm looking forward to listening to your recording!

  • Steve Harrison

    Hi Ian, which way the tails point I think is more down to the peculiarities of the software used. I use Finale Printmusic and the tails default to opposite directions when using layers. The only problem is that when I don't want that to happen, I can't change it! It could be interesting and helpful to have discussion about the various types of music software used by our members....Steve.

  • thereallyniceman

    I guess that Steve is the ”expert” on entering notation on here as he has done so many arrangements for the MUSIC LIBRARY!

     

    I use Gvox Encore V5 for Mac and have used the software for many years so just about know how to use about 10% of its facilities!

    The trouble with all these notation software packages they seem overly complicated with functions that are rarely, if ever, used.

     

    Now I am used to it (and have read the manuals 100 times) I find it fairly easy, but time consuming, to produce quite reasonable scores.  Flipping notes up or down is any voice is really easy and only takes a simple select and then CTRL-U  or CTRL-D.

    Short cut keys make life easy CTRL-S  is sharpen CTRL-F is flatten  etc etc.

     

    Here I have re-entered Mike’s intro in Encore 5 to show how it works.

    I selected a single stave with 4 measures per staff and then selected half common time and finally the Key signature Eflat (3 flats).  I then entered notes in VOICE 1 (All notes are “sticks down”)

    Then I switched to VOICE2 and entered the notes. You will see that VOICE 1 greys out and VOICE 2 overlaps. (The notes are also “sticks down”)

    I now selected all VOICE 1 and flipped all notes Up (CTRL-U)

     

    I don’t like that as the sticks look confusing in the ledger lines above the staff, so I flipped them down again (CTRL-D) in VOICE 1 and Up (CTRL-U) in VOICE 2

     

    It looks better, so now I added the string indications and finally selected ALL VOICES to make them show.

    I could move the rests, just by dragging them anywhere I want, or flip individual notes to tidy things up.

     

      I tried “Finale” notation software recently (This is the big brother of Print Music that Steve uses) but find it very awkward compared to Encore, but maybe that is because I am not familiar with it.