I've only just seen your mention of Elizabeth Buchanan. She was one of the most remarkable people ever to frequent the world of the 5-string banjo. She not only played banjos, she made 'em!!! They were, in my far from humble opinion, the most beautiful banjos in the British Isles. She lived in Glasgow and was very proud of her Scottish heritage judging from the St. Andrew's Cross engraved on the ornate tailpiece.
I have one of her banjos. (Sorry no picture. My grasp of today's tech is almost nil, otherwise I'd send you one.) It is probably the lovliest banjo I have ever played. It is an open-back 5-string. The rosewood neck is elaborately carved on the headstock front and back, as well as on the heel. The beautifully engraved pot appears to be nickel-silver on brass and it plays like a dream. Instead of 3+2 tuning machines it has 2+3, which is most unusual. My guess is that it dates from the 19th century. I regard it as absolutely priceless! Alas, I know nothing more about her.
Jake Glanville
Hi Carrie,
For some strange reason that Temlett you had for sale in March popped up again.
I assume you did actually sell it?
If not, please contact me.
Best Wishes,
Jake.
Jan 7, 2024
Jake Glanville
Hi Carrie! Many thanks. Good of you to reply so promptly. Pity I missed out on the Temlett.
Kindest Regards,
Jake.
Jan 8, 2024
Jake Glanville
Hello Carrie,
It's a long time since I last contacted you.
I've only just seen your mention of Elizabeth Buchanan. She was one of the most remarkable people ever to frequent the world of the 5-string banjo. She not only played banjos, she made 'em!!! They were, in my far from humble opinion, the most beautiful banjos in the British Isles. She lived in Glasgow and was very proud of her Scottish heritage judging from the St. Andrew's Cross engraved on the ornate tailpiece.
I have one of her banjos. (Sorry no picture. My grasp of today's tech is almost nil, otherwise I'd send you one.) It is probably the lovliest banjo I have ever played. It is an open-back 5-string. The rosewood neck is elaborately carved on the headstock front and back, as well as on the heel. The beautifully engraved pot appears to be nickel-silver on brass and it plays like a dream. Instead of 3+2 tuning machines it has 2+3, which is most unusual. My guess is that it dates from the 19th century. I regard it as absolutely priceless! Alas, I know nothing more about her.
Kindest Regards,
Black Jake of Norwich, England.
Feb 11