Following both 1st and 2nd banjo scores, they agree bar numbers (incl repeats) to the bottom of the 2nd banjo score at Bar 81. Then D.S al Fine takes you back to Bar 56... then another 16 bars take you to Fine at bar 72.
The total number of bars is 81 + 16 = 97 This is the same number of bars as in the 1st banjo score.
I have read through Marc's piano score and an also a bit confused as it seems to differ from the original 1st banjo (I can't quite work out where Marc's 3rd time bar 38 goes to, as it seems to miss a section of the score where ever I go back to!).
Perhaps you could chat directly to Marc about this please?
Good luck. I am sure that using Marc's piano score you can easily edit it to your requirements with a bit of music entry in your software!
I hope that we can see a video of your group playing it.
Yes , i took a look at Carl ' s version and he return once to the part A .
the problem is that we used to play it like that with éric Stefanelli 8 years ago_ i played the cello _ and i have the habit to play like this , like we used to play before ; i just added a 1/4 bar in my arrangement , a kind of " stop chorus " before to go to the F major part , because il feeled to " air " the tune ; Also i can remember that i didn 't write any cello part ; i played directly the cello from the guitar part , following at same time both the bass dots and the harmony manuscrit notes
Hal, Banjo Frolic got missed out. I have been going through the pieces more or less historically, but omitting those which I thought might be well known. The really nice man has twisted my arm to make the list complete, so Banjo Frolic is as yet not done, but will be eventually.....unless of course you can produce a file in the right format to be included in the list.
I am having great fun in producing these things. Some forgotten masterpieces, and some which might need a little more loving.
I only wish I could play these, as I am the man who plays the less interesting, but nevertheless vital, bass part at the very bottom.
thereallyniceman
Hi Hal,
I think that the 1st banjo and guitar/2nd banjo scores ARE correct.
Check this download with the bar numbers written in. DOWNLOAD SWEET CORN
Following both 1st and 2nd banjo scores, they agree bar numbers (incl repeats) to the bottom of the 2nd banjo score at Bar 81. Then D.S al Fine takes you back to Bar 56... then another 16 bars take you to Fine at bar 72.
The total number of bars is 81 + 16 = 97 This is the same number of bars as in the 1st banjo score.
I have read through Marc's piano score and an also a bit confused as it seems to differ from the original 1st banjo (I can't quite work out where Marc's 3rd time bar 38 goes to, as it seems to miss a section of the score where ever I go back to!).
Perhaps you could chat directly to Marc about this please?
Good luck. I am sure that using Marc's piano score you can easily edit it to your requirements with a bit of music entry in your software!
I hope that we can see a video of your group playing it.
Jun 1, 2013
marc dalmasso
Yes , i took a look at Carl ' s version and he return once to the part A .
the problem is that we used to play it like that with éric Stefanelli 8 years ago_ i played the cello _ and i have the habit to play like this , like we used to play before ; i just added a 1/4 bar in my arrangement , a kind of " stop chorus " before to go to the F major part , because il feeled to " air " the tune ; Also i can remember that i didn 't write any cello part ; i played directly the cello from the guitar part , following at same time both the bass dots and the harmony manuscrit notes
Jun 3, 2013
Anthony Peabody
Hal, Banjo Frolic got missed out. I have been going through the pieces more or less historically, but omitting those which I thought might be well known. The really nice man has twisted my arm to make the list complete, so Banjo Frolic is as yet not done, but will be eventually.....unless of course you can produce a file in the right format to be included in the list.
I am having great fun in producing these things. Some forgotten masterpieces, and some which might need a little more loving.
I only wish I could play these, as I am the man who plays the less interesting, but nevertheless vital, bass part at the very bottom.
Thank you very much for listening
Anthony
Sep 14, 2015