Hi all,
I'm working on exercises from the Grimshaw, How to Excel on the Banjo book. And I have a nitpicking question regarding exercise number 5. The purpose of this exercise is to practice the slide from D to F, but I'm unsure of the timing. At what point should I begin the slide? Should I begin sliding immediately after striking the D on beat one, and then pluck again when arriving at the F on beat 2? Or does the slide happen all at once on beat two - striking the D and arriving at the F all in a half beat?
I found a YouTube video of Rob MacKillop performing the exercise. It sounds lovely to my ear. But I'm curious to know if his timing on the slide is the orthodox method.
https://www.youtube.com/watch?v=MydEW3Yk5mE&list=PLgqVFhrbL66eL...
Like I said, perhaps I'm nitpicking. But I'd like to understand how this was intended to be played.
Jody Stecher
I think that starting the slide right after playing D will produce the singing effect that seems to be the purpose of the exercise. So the slide is the means to this end. That's how it works when I play the exercise. If I delay the slide there is no effect of vocalism, just a kind of smeared F that shoots up from below. I also found that starting out with the metronome at 100 as indicated was a bit too fast for me for the first attempt. 100 makes sense because if it is much slower the slide will sound like a series of half steps. But for learning I started a bit slower I also found it helpful in learning, to begin the first two measures at full speed with just the thumb strokes. C D, D- F. That helped me get the timing.
on Friday
Adam Grimshaw
Thanks Jody, that's helpful. Great idea on isolating the thumb to begin with. I will try that.
on Friday